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reformation: wall wounds (projections)
 

By employing re-enactment as an embodied methodology, the motif of the wall-wounds was systematically repeated, and the conditions and contexts of their production were exposed, as were the artistís own actions in repeating them.

Stop frame capture provided the means to document the minute changes to the surface as the handle hit the wall, and the temporal that was missing in the sculptural /photographic form.

context
 wall-wounds (found)
 wall-wounds (fabricated)
 wall-wounds (projections)


Wall-wound (Projection) no. 2249
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sarah bennett © 2016